My Books

Links to sellers of these books, in both digital and paperback formats, can be found below on right-hand side of the page.

Now Available in Paperback and for Kindle

It was only meant to be a few hours of fun.
A lark. On a sunny Saturday morning Lola, Kyle and Maria set sail on Puget Sound to look for a vision that had come to Maria in a dream. Then disaster struck, and the three of them were plunged into a dark adventure in which they would confront good and evil, past lives, and a timeless curse born from a tragic love. What are the hidden secrets of Bridge House and Riesgado Island? Part Gothic romance, part supernatural mystery and part fantastical adventure, The Curse of Septimus Bridge is Scott R. Larson’s homage to the horror and adventure stories of his youth, notably the 1960s television series Dark Shadows. In this new book, the author of The Three Towers of Afranor takes us on an adventure that ranges from 17th-century Ireland to the Pacific Northwest of today. At the heart of it all is the mysterious figure who lives out his endless, solitary days, having been rejected by both heaven and hell.

“This is a sequel to Larson’s earlier novel, ‘Maximilian and Carlotta are Dead’, which was set mostly in Mexico as a buddy adventure and introduced the character of Dallas Green, a young man with wanderlust from a small town in the San Joaquin Valley. ‘Lautaro’s Spear’ takes us on further romantic and political adventures to France, Germany, and Chile, and deeper into Dallas’ psyche which we find to be darker and more complex than in the first novel. An engrossing read by a first class storyteller, it leaves you wanting more.”

“Totally enjoyed the characters lost souls that they are. Life is not always what we would like.”


Excerpts from Readers’ Reviews on Amazon.com


A legendary reclusive filmmaker. An enigmatic cook and restaurant proprietor, who is clearly more than he seems. Two mysterious deliveries to be made behind the Iron Curtain. A desperate search for a long-missing old friend. An unexpected love affair on the coast of Normandy. Dallas Green’s life has only gotten more interesting since his wild youthful adventures recounted in Maximilian and Carlotta Are Dead.
“I loved this book. It is a rollicking fantasy—youth must pass increasingly difficult tests to attain wisdom and perhaps, just perhaps, win the girl! A pure joy to read. And such a great metaphor for life!”

“It was a great read for young adults as well as adults. Can’t wait for the sequel.”

“A fantasy novel with magic and heart. It’s a quick read that is set up for a sequel. A great story about growing up and learning what you are capable of and it’s clean so it can be recommended to all ages!”


Excerpts from Readers’ Reviews on Amazon.com

What secrets do the three towers hold? For years travelers have avoided the mysterious kingdom of Afranor, but necessity now requires three brothers—the valiant fighting princes of Alinvayl—to pass through Afranor’s dark, forbidding expanse. Not all will survive the journey, but one may succeed in finding his destiny.

“I loved this book! Once I started I couldn’t put it down… What an adventurous way to come-of-age in a place in time that no longer exists. Truly a great read!”

“Larson really captures the sense of a particular time and place. His details of clothes, music, cars, speech, etc. all ring true. Also, the first-person narrator’s voice is pitch-perfect…”

“Scott Larson does a magnificent job of taking his readers on a southern trip with the three young heroes.”

“What a wild and crazy adventure! … The characters were all very well developed; I especially loved Antonio, the star and the hero. Looking forward to the sequel.”


Excerpts from Readers’ Reviews on Amazon.com


It is Summer 1971. With the Vietnam War raging and the draft looming, 18-year-old Dallas and Lonnie look for an escape. Fleeing their hot and dusty farming town in Lonnie’s ’65 Chevy, they head to Mexico. In one last misguided adventure, two lifelong friends blaze a trail to Tijuana and beyond, just to see how much trouble they can get it into.

Thursday, September 25, 2014

Catch Up

Last month I began relating my experiences in getting my book from HTML format, in which it was originally written, into some sort of shape so that it could be printed on a printing press. But I got interrupted in the meantime by the fact that the book actually got printed and went into the book retailer supply chain. And when I got paperback copies into my greedy little hands, that kicked off a whole set of new chores, like distributing them to people who needed to be thanked, to other people who I wanted to have copies and, not insignificantly, to people who I hoped might mention or write about it.

At the same time, my three-month commitment to the Kindle Store ended, meaning I was free to publish a digital version anywhere else I wanted. Since I had made the decision not to publish the EPUB version through an aggregator like Smashwords or Lulu, that meant I had to spend not an inconsiderable amount of time setting up accounts with the Nook Store, Kobo, etc. and then making sure that my EPUB file met the specific requirements of each seller.

I have to admit that it was quite a thrill to see my book’s title (Maximilian and Carlotta Are Dead, in case you forgot) along with my name gradually pop up on book-selling web sites all over the internet. Initially, I was focused on looking for the paperback on Amazon and on Barnes and Nobel, but since then I have become fascinated with seeing it also turn up on all kinds of sites I have never heard of before, all over the world, even in places like Sweden and Russia. You can click my “Find Other Sellers” link to the right of this post to ask Google to search for all the places listing it.

Anyway, for the sake of completeness, I am resolved to finish the story I started weeks ago, about how I got the book ready for printing…

Most other authors seem to approach this in the other direction from what I did, i.e. from print to digital, but I’m just different and started with the digital book. The others are right and I’m wrong. I’ll know for the next time.

So I accepted the fact that I would need to use Microsoft Word to turn my HTML file into a Word document that could then output a PDF file, as required by the printer.

Happily, you can simply open an HTML file with Word. (In fact, it is entirely possible to use Word as an HTML editor. I can’t understand why anyone would actually want to do that, but to each his own.) And once you have your file open in Word, you can then save it in Word format. Simple.

When I tried it with my HTML file, however, there was some problem that I have not since been able to duplicate. And if I had simply let Word convert my HTML to DOCX, things would have been a little bit easier for me. Instead, I converted my EPUB file into RTF. I was able to do this with Calibre, a very handy program that I have become quite fond of. It is a great tool for organizing one’s e-book collection, and it can even convert e-books from one of numerous formats to other numerous formats, including RTF (rich text format), which is a mark-up language that Microsoft particularly likes. Word opened the RTF file with no problem, although for some reason a few instances of my italics formatting were lost. That meant careful checking of every page—something that needed to happen anyway.

Beyond dealing with the italics annoyance, working with Word was surprisingly similar to how it had been two decades earlier—when I last used it to prep a book for the printing press. Styles had to be modified, margins had to be set, and I found that setting up odd and even headers and footers section by section in Word still does my head in. It brought back long-suppressed memories of working under deadline and finding to my frustration that fixing one problem could easily result in some other unforeseen problem that affected a chapter or even the whole book.

Still, the book was extremely simple, formatting-wise. Apart from front and back matter, the whole thing mostly used only two styles, one for general text and one for chapter titles. The formatting took some time but not huge amounts.

When it came to generating PDF files, this is something Word can do with a “Save As” command or, if you have Adobe Acrobat installed, with the “Print” command or the special Adobe tool bar. But creating the PDFs in a way that will be acceptable to the printing company (in my case, IngramSpark which is by all accounts more finicky than Amazon’s CreateSpace) requires using the “Print” command with all the proper (and not always obvious or intuitive) settings followed by subsequent massaging in Acrobat. There are all kinds of things to check for in the PDF file, including making sure fonts are embedded and images use CMYK (color spec used by printing presses) as opposed to RGB (color spec used by computer monitors).

All this info is on the IngramSpark web site, although you have to do some hunting for different bits of it. I was fortunate in having a friend—who was in the trenches with me back in my Word-and-PDF-battling days—who had already published a book with Ingram and could give me incredibly helpful advice and pointers. As I moved from one challenge to another, I was filled with awe for those authors who had successfully gone this route before me and not necessarily with the same technical experience I had. (Let’s face it. We’re talking about people who are not only younger than me but who have higher IQs.)

The PDF file for the book cover was complicated in different ways. IngramSpark helpfully provided a template in PDF format that I could simply drop text and images into using Acrobat. It even came with the right spine width for my page count and included a bar code using my book’s ISBN. Getting my cover image from RGB to CMYK was a problem until I found that Word had done the conversion just fine in my original mock-up. So I solved that problem simply by copying the image from Word and pasting it into Acrobat. Another problem: when you insert text into Acrobat, it doesn’t embed the fonts. Solution: Acrobat will embed them from your computer’s system—if you can find the well-hidden sub-menu that does this.

So I eventually finished my PDF files and uploaded them to IngramSpark. Happily, my previous work experience did pay off and I had none of the problems in getting my files accepted that I had heard about from other authors.

But I was then confronted with a whole set of questions from the web site. What retail price was I going to put on my book in the U.S.? And in Canada? And in the UK? And in Australia? And in the Euro Zone? And in the rest of the world? At what percentage did I want to set the wholesale discount? Would I accept (and refund) returns? Did I want the returns destroyed or posted to me (for a charge)? Say what? With Kindle Direct Publishing, I mainly only had to worry about setting a price for the book. The challenge posed by all these new questions, I quickly learned, was to answer them in such a way that I would be making at least a little money on each book sold—as opposed to selling each book at a loss.

The bottom line: the paperback necessarily has to cost quite a bit more than the e-book.

As Barbie the doll once said, math is hard!

Wednesday, September 10, 2014

Multiplying Choices!

You will note there are some changes to the right of this blog post. There are now more links there that will lead you to my book.

My three-month exclusivity commitment to Amazon’s Kindle Store has run its course and there are now several other ways to read Maximilian and Carlotta Are Dead besides using a Kindle device or app.

Most notably, the paperback version is now available. I realize I have done this totally backwards, i.e. releasing the “real” book a whole three months after the e-book has been out. But there it is. You can click on the appropriate links to purchase physical books from either Amazon or Barnes and Noble.

And for people who like e-books but just don’t want to use the Kindle, the digital version in EPUB format is now available at three other online bookstores:

  • Barnes and Noble’s NOOK Store
  • Google Play
  • Kobo Books.

    If your prohibitively preferred online digital book retailer happens to be Apple’s iBooks, well, you will have a bit longer wait—unless you have an Apple computer you can lend me for a few minutes. Apparently, the only way to submit an e-book to iBooks involves using an official app that runs only on Apple computers—or else to use an aggregator (a sort of middle man service for getting books out to various retailers) which, for a number of reasons, I have opted not to do. I want and expect to have my glorious opus on iBooks at some point, but given the hassle and the likely sales potential through that outlet, it’s not a particularly high priority.

    Sorry to go all strategic businessman on you. The bottom line is that I’m pleased as punch about finally having my book out there on real paper as well as in EPUB format.

    And now, all those people who kept telling me that the only way they would read my book was if it were on real paper… it’s now over to you.
  • Thursday, September 4, 2014

    Making It Real

    Yes, that’s a new book cover for Maximilian and Carlotta Are Dead near the top of this page.

    And, yes, I know I was in the middle of a story about the process of migrating my novel from e-book form, for which it was targeted, to paperback format. And I will continue it anon.

    In fact, that new cover was made for the paperback edition, which should be available Real Soon Now. It just goes to show that it makes more sense to finish the paperback version before publishing the e-book version. Not only is this the traditional way of doing it, but also the print format has more rigid requirements than the digital version. In other words, whatever works for the print version will undoubtedly work for the e-book as well. The reverse is not necessarily true. So if you want the two formats consistent, do the paperback first—even though it’s more work.

    My own story illustrates this pretty well. I came up with a cover for the e-book that I liked okay. I had a couple of other covers before that one which I liked okay too, but I didn’t use them because they used photographs that I had not taken myself. One of them appeared to be in the public domain, but it wasn’t certain enough for my comfort level and I could find no way to contact the photographer. That was a hard decision because I really liked the photo, which was of the actual highway that Dallas and Lonnie would have been driving down through the state of Sonora. A bit of the Gulf of California could even been seen in the distance.

    So I resolved to use photographs I had shot myself to avoid any possible rights issues. For the original e-book cover I used a photo that I had taken back in the early 1970s in Santiago, Chile. It was of the entrance to the Cerro Santa Lucía, which is actually mentioned in the novel. In fact, by a happy coincidence my photo could well have been the post card that my protagonist Dallas Green receives from Chile in the final pages of the book.

    Unfortunately, when I decided that I would go ahead with the paperback version and went to make the requisite PDF files, I found that the art was not suitable for the printing press that would be used—something about color densities or some such. I tried to re-work it so that it would make the printing company happy, but I wasn’t happy with any of the results I was getting. So I accepted that I would have to come up with a simpler cover design.

    As you can see, that turned out to consist of nothing more than text (title, byline, blurbs) on top of a desert photograph that covers and bleeds off front and back covers and the spine. Unfortunately, I had no photos of Mexico at all and very few of the California locations mentioned in the book. So I cheated. I used another photo I had taken in Chile in the early 1970s. This one was of the Atacama Desert. It is not a perfectly sharp and clear photo. It was actually taken through the window of a bus, so it hopefully gives an impression of how Dallas and Lonnie’s desert travels might have appeared to them through the window of Lonnie’s 1965 Chevy.

    Just yesterday I received my proof from the printer. Nowadays such a proof is basically an actual copy of the book since this, after all, print on demand. I’m pretty happy with it. It actually looks like a real book. I have to concede that there is an element of excitement in having an actual physical copy of your own book in your hands that you can actually thumb through—as compared to the experience of scrolling through pages on a computer or a Kindle or other device. Perhaps the most impressive thing about it is being able to see clearly exactly just how much I have written. In digital form, my 294 pages of text always seemed kind of small.

    Seeing all those pages in the form of actual paper, they look absolutely substantial. It looks, well, it looks real.